Data as of Jul 25, 2026 · Based on 255 AI responses from ChatGPT Search and Google AI Mode · See how Parse measures this
To license music for film and TV, choose between full-service supervision agencies and ready-to-access music platforms. Agencies like 
Search Party Music, and
Brands AI recommends here
Best for high-end film and TV projects requiring expert music curation, complex rights management, and composer selection. They act as your dedicated team to ensure all legal and creative needs are met.
Best for production teams seeking high-quality, pre-cleared music with a fast turnaround. They provide an efficient self-serve library that simplifies the licensing process for modern film and advertising.
Score a ScoreSource | Citation share |
|---|---|
Top Music Supervision Company for Film, TV & Adshttps://scoreascore.com/music-supervision/ | 4.6% |
 Atrium Music: Music Licensing for TV, Film & Commercialshttps://www.atriummusic.com/ | 3.7% |
 6 Best Music Licensing Companies & How to Pitch Your Songshttps://www.careersinmusic.com/music-licensing-companies/ | 3.0% |
 How To Get Your Music on TV, Video Games and in Movies (Sync Licensing)https://aristake.com/sync-agents/ | 2.0% |
Triple Threat Music Supervisionhttps://triplethreatsupervision.com/ | 1.9% |
 Music Supervisors, Sync Agents and Licensing for Film & TVhttps://www.plaympe.com/blog/2024/11/18/music-supervisors-sync-agents-and-licensing-for-film-tv/ | 1.8% |
 Music Supervision — Inspiroshttps://www.inspirosentertainment.com/music-supervision | 1.8% |
 Music supervision and licensing for podcastshttps://podnews.net/article/music-licensing-for-podcasts | 1.7% |
 Radar Music Group: Music Supervision Services for Film and TVhttps://radarmusicgroup.com/ | 1.7% |
 MUSIC SUPERVISIONhttps://inaudibleprod.com/musicsupervision/ | 1.5% |
When looking at music placement for film and television, the industry is split slightly between Music Supervision Agencies (who are hired by production companies/studios to curate and clear music) and Sync Licensing Agencies/Libraries (who represent catalogs of music and actively pitch them to supervisors).
Prominent names in both categories span major players and boutique agencies:
These teams work directly on behalf of film and TV producers to handle budgeting, spotting sessions, creative curation, and legal clearance:
If you are an artist or producer looking to get your tracks placed (rather than hiring a supervisor), these companies act as the bridge by pitching directly to the supervisors working on shows:
Are you looking to hire a music supervisor for an upcoming production, or are you an artist trying to pitch your music for TV and film placement?
Yes. If you mean companies that actively help filmmakers/TV producers find, clear, negotiate, and license existing songs, rather than just music libraries, there are several good categories.
If you're making a film/show and need a particular song cleared, I'd look primarily at music-supervision/clearance firms such as MassiveMusic or WOOFER.
If you're an artist/label with songs you want placed, I'd look at sync agencies/representation such as Secret Road, Fenger Music, or Sync Runner.
And if you already know the exact song, you may not need a supervision company at all: clearance generally involves getting permission for both the composition (publishing) and the sound recording (master), often from different rights-holders.
If you tell me whether you're a filmmaker looking to license songs or an artist trying to get your songs into film/TV, I can give you a more targeted list of 10–15 companies, including which ones accept submissions.
Yes. There are several types of companies in this space, and the right one depends on whether you’re a filmmaker looking for songs or an artist trying to get songs placed.
These are the closest match if you want someone to help find music, negotiate/clear rights, and supervise the soundtrack:
If you're an artist or label wanting your tracks pitched to film and TV, these are more directly relevant:
For a production that says, “We want this existing artist's song in this scene,” the process is usually different from using a production-music library. You generally need to clear both the master recording and the composition/publishing rights, unless a company can provide a one-stop license. BMG, for example, explicitly offers one-stop licensing combining publishing and recording rights.
If you tell me whether you're (1) a filmmaker looking to license tracks, (2) an artist looking to get placements, or (3) a music supervisor looking for catalogs, I can narrow this to the 10–15 best companies to approach, including which ones accept submissions and their contact/submission process.
Music supervision and licensing companies handle the creative curation, budgeting, and legal clearance (synchronization and master use rights) needed to put tracks into film and television.
Prominent music supervision and licensing agencies working across film, TV, and media include:
Are you looking for a music supervision company to pitch your own music to , or are you a filmmaker/producer looking to hire a team for an upcoming project? Let me know so I can give you the right next steps.
Music supervision and sync licensing agencies bridge the gap between visual media creators (filmmakers, TV producers, and ad executives) and the copyright holders of music . They handle creative curation, budget management, and the legal clearance (synchronization and master licenses) required to put tracks on screen.
Prominent music supervision and full-service sync/licensing companies operating in film and TV include:
Are you looking for a music supervision company to hire for your own film/TV production , or are you an artist/producer looking to pitch your music for sync placement? Let me know and I can tailor the next steps or recommendations accordingly.
Yes. There are several kinds of companies in this space: music-supervision firms that choose and clear songs for productions, sync agencies that represent music catalogs and pitch them to supervisors, and rights/clearance specialists that handle the licensing paperwork.
If you're a filmmaker looking for a particular song, companies such as BMG Sync can be especially useful because they control substantial publishing and recording catalogs and have dedicated sync/clearance teams. BMG says its sync operation handles both publishing and recording rights and can provide one-stop licensing in some cases.
There are also specialist clearance companies such as ClearSongs, which has handled music licensing for film/TV clients including HBO, Lions Gate, Miramax, Columbia and Searchlight.
If you're a filmmaker/producer, I'd approach a music supervisor or clearance company.
If you're an artist with tracks you want placed, I'd approach a sync agency such as Sync Runner or Fenger Music. They pitch your catalog to supervisors rather than waiting for a production to discover you.
If you tell me whether you're a filmmaker trying to license a song or an artist trying to get your music into film/TV, I can give you a more targeted list of ~15 companies, including which ones accept submissions and what genres/projects they tend to work with.
Music supervision companies bridge the gap between filmmakers, TV producers, and the music industry. They handle everything from creative pitching and music strategy to clearing rights and negotiating sync licenses for songs used in media.
Here are some of the top, industry-recognized music supervision and licensing companies working in film, TV, and advertising today:
Boutique & Independent Supervisors
Full-Service & Major Agencies
If you're working on a specific project, let me know:
I can help narrow down which type of partner or platform fits your budget best.
Yes. There are a few different types of companies in this space, and the distinction matters depending on whether you’re a filmmaker looking to license music or an artist trying to get songs placed.
These are more specifically sync representatives/licensing companies:
One important distinction: a music supervisor is usually hired by the production to choose music and oversee the soundtrack, while a sync agency/representative represents music catalogs and pitches or licenses those tracks to productions. A company can do both.
If you're an artist with tracks you want placed, I can also give you a curated list of 20–30 reputable sync agencies/music supervisors to submit to, including which ones accept unsolicited submissions and what genres they tend to look for.
If you're looking for a company to help license music into film, TV, streaming, or advertising, there are a few different types of firms:
Some well-known and respected companies include:
| Company | Best for | Services |
|---|---|---|
| MassiveMusic | Major productions and brands | Music supervision, licensing, original scoring, sonic branding massivemusic.comwww.club-caroline.com |
| Record-Play | Film, TV, games, advertising | Global music supervision and sync licensing record-play.com |
| Song & Film | Independent artists seeking placements | Artist representation, sync pitching, supervision songandfilm.com |
| WOOFER | Film, documentaries, commercials | Music supervision, licensing, clearance, original music www.woofer.tv |
| Clearsongs | Film and television productions | Music supervision, clearance, licensing strategy clearsongs.com |
| Club Caroline | Boutique film, TV, and commercial projects | Song sourcing, licensing, supervision, rights management www.club-caroline.com |
| Frog Music Licensing | TV, film, advertising | Music supervision, sync licensing, custom composition frogmusiclicensing.com |
| Skeleton Studios | International productions | Supervision, licensing, original scores www.skeletonstudios.io |
If you're an artist or composer looking to get your music placed, these agencies also actively pitch catalogs:
A music supervision company can:
If your goal is getting your own songs into film or TV, you'll generally have the best chance with companies that represent artists for sync, provided your recordings are professionally produced and your rights are organized (ideally with both master and publishing controlled or easy to clear). Community discussions also commonly note that sync agencies and publishers—not A&R representatives—are the typical route for pitching music to film and TV supervisors.
If you tell me whether you're:
I can recommend companies that are the best fit for that specific role.
Music supervision and licensing companies act as the bridge between creative storytelling and legal compliance, helping film and TV productions curate soundtracks, negotiate master and synchronization rights, and clear copyrights. Prominent companies and agencies in this space include Score A Score, Search Party Music, MassiveMusic , and Format Entertainment.
Notable Music Supervision & Licensing Companies
If you are looking to place a specific track or need supervision for a project, let me know:
