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There is no single "best" way to get a book published, because the right path depends entirely on your goals, your genre, and how much control or speed you want.
The publishing world splits into two primary paths: Traditional Publishing and Self-Publishing.
Path 1: Traditional Publishing
Best for: Authors who want prestige, retail bookstore distribution, and zero upfront production costs, and who have the patience for a long timeline.
Path 2: Self-Publishing (Indie Publishing)
Best for: Authors who want total creative control, higher royalty percentages, and a fast track to the market.
The Reality of Publishing
“Traditional publishing can get you into libraries.”
To help narrow down which route fits you best, tell me:
If your goal is to get a book published successfully—not merely get it printed—the best route depends on what you want from the book. There are two legitimate paths:
For most first-time authors, the strongest traditional route is:
Finish the manuscript → revise professionally → find literary agents → query agents → agent submits to publishers → publisher offers a contract.
Many major publishers don't accept unsolicited manuscripts, so a literary agent is often the gateway. The Authors Guild's guide to literary agents is a good current overview of finding an agent and preparing a query.
This route is usually best if you want:
Important: Don't pay a company thousands of dollars simply because it calls itself a "publisher." Traditional publishers generally pay you an advance/royalties rather than charging you to publish your book.
If you've got a finished book and don't want to spend months or years querying agents, self-publishing can be an excellent option.
Amazon Kindle Direct Publishing (KDP) allows authors to publish ebooks, paperbacks, and hardcovers, with print-on-demand fulfillment. You retain control over the content, pricing, and publishing schedule.
For broader print distribution, IngramSpark offers print and ebook distribution to retailers, libraries, and online stores.
The catch is that you become the publisher. You need to arrange editing, cover design, formatting, marketing, and distribution yourself—or pay qualified professionals to do them.
If this is your first book, I'd generally do this:
If you tell me (a) what kind of book it is—novel, memoir, children's book, business book, etc.—(b) roughly how long it is, and (c) whether it's finished, I can tell you the best publishing route for your specific book, including how to find agents/publishers and what your next 5–10 steps should be.
Getting a book published generally comes down to two primary paths: traditional publishing (pitching to established publishing houses via literary agents) and self-publishing (retaining full creative and financial control).
Here is a breakdown of the routes and the steps to get your book out into the world:
Path 1: Traditional Publishing
This route is best if you want a publishing house to handle (and pay for) editing, design, printing, distribution, and marketing, though it is highly competitive.
Path 2: Self-Publishing
This route is best if you want total creative control, faster time-to-market, and higher royalty percentages per copy sold.
If you'd like to narrow this down, tell me:
I can give you a more tailored roadmap and specific resources for your project.
Atticus
If you mean “What’s the best route for a first-time author?”, my default recommendation is:
If your goal is a major bookstore presence, credibility, and having a publisher handle production/distribution, pursue traditional publishing. If your goal is speed, control, and keeping more of the economics, seriously consider self-publishing. Both are legitimate paths.
For most first-time authors, the process looks roughly like this:
Finish the book.
Revise and get professional feedback. Don't spend thousands on editing before you've established that you have a publishable concept, but do make the manuscript as strong as possible.
Research literary agents. Find agents who specifically represent your genre/category and who are currently accepting submissions.
Send query letters. Your query typically includes your pitch, relevant information about you, and whatever sample pages the agent requests.
Get an agent. A good agent can help refine the project, approach publishers, negotiate the deal, and advise you on rights and contracts. The Authors Guild has resources specifically on finding agents and navigating traditional publication.
The agent submits to publishers. If a publisher wants the book, you'll negotiate a publishing contract, generally including an advance and royalties.
Publisher produces and releases the book. Editing, cover design, production and distribution are handled by the publisher, although authors are still generally expected to participate in marketing.
This can be an excellent choice if you don't want to spend months or years querying agents.
You become the publisher: you arrange editing, cover design, formatting, distribution and marketing, then publish through appropriate platforms. The Authors Guild notes that self-publishing can give authors substantial control, but authors need to carefully research vendors and services—and be particularly wary of predatory "hybrid" or vanity publishers.
I would generally avoid paying a company thousands of dollars simply because it promises to “get your book published.” Paying professionals for specific services—editing, cover design, formatting, etc.—is very different from paying a company that claims to be a traditional publisher while making its money primarily from authors.
| Your priority | I'd lean toward |
|---|---|
| Big traditional publisher | Traditional |
| Getting into bookstores | Traditional |
| Professional publishing team | Traditional |
| Maximum creative control | Self-publishing |
| Getting the book out quickly | Self-publishing |
| Keeping control of pricing/marketing | Self-publishing |
| Building a long-term independent author business | Self-publishing |
| You're willing to query agents for months | Traditional |
One important distinction: don't choose based simply on which route sounds easier. Publishing the book is only half the job; finding readers is the other half. The Authors Guild specifically emphasizes marketing/publicity as a separate part of the author's business.
If you tell me what kind of book you're writing (novel, memoir, children's book, self-help, business, biography, etc.), roughly how long it is, and whether it's finished, I can tell you which publishing route I'd recommend for your particular book and give you the exact next steps.
If your goal is to get a book into readers’ hands and build a real career as an author, the best route depends heavily on the kind of book you’re writing. In general, there are three paths:
For most fiction, memoir, and commercial nonfiction, I’d recommend trying traditional publishing first.
The usual sequence is:
For commercial fiction and creative nonfiction, an agent is often crucial because agents act as the intermediary between authors and major publishers.
For nonfiction, there's an important difference: you often pitch the book with a book proposal rather than completing the entire manuscript first. A proposal typically explains the concept, audience, competitive books, your qualifications/platform, chapter outline, and includes sample chapters.
Self-publishing can be excellent if you:
You hire or arrange your own editing, cover design, formatting, and distribution, then retain much more control over the finished product.
The downside is that you become the publisher: quality control, marketing, distribution, metadata, advertising, etc. are largely your responsibility. Self-publishing can absolutely produce major successes, but it is not simply "upload the manuscript and wait for sales." Recent examples show that extraordinary word-of-mouth successes can even attract traditional publishers afterward.
A respected independent or university press can be a terrific option, particularly for literary fiction, regional books, academic work, poetry, specialized nonfiction, and books that aren't an obvious fit for the biggest commercial publishers.
Some accept submissions directly; others prefer or require agents.
If you're a first-time author, I'd generally do this:
Write the best book possible → get serious feedback/editing → identify your market → research agents → query strategically → pursue traditional publishing for a while → consider self-publishing if traditional doesn't make sense for your particular book.
Don't pay a supposed "literary agent" large upfront fees to represent you. Legitimate agents generally make money when your book sells; Poets & Writers notes the standard agent commission is typically 15% of a book sale.
The single most important thing is actually figuring out what you're writing. The strategy for a novel, memoir, business book, self-help book, children's book, or cookbook can be dramatically different.
If you tell me what kind of book you're writing and roughly how far along you are, I can lay out the best publishing route for your specific book, including what to do first, how to find agents, and what your query/proposal needs to contain.
There is no single "best" way to get a book published—the right path depends entirely on your genre, budget, timeline, and personal goals . The industry generally splits into two primary routes: Traditional Publishing and Self-Publishing.
Path 1: Traditional Publishing
Best if your goal is prestige, getting stocked in physical brick-and-mortar bookstores, and having a publisher pay for everything upfront rather than investing your own money.
Path 2: Self-Publishing (Indie Publishing)
Best if you want total creative control, a fast timeline to market, and significantly higher royalty percentages per copy sold.
Perspectives on the Choice
“Self publishing on the other hand gets you speed (publish when you want), creative control, the 70% royalty — but now you're basically running a small business, paying out of pocket for your own editor/cover/ads.”
To help narrow down the best strategy for you, tell me:
The “best” way to get a book published depends on your goal: traditional recognition and bookstore reach, speed and control, or maximizing ownership and royalties. There are two main routes: traditional publishing and self-publishing.
This is the route many first-time authors imagine.
Finish and polish the manuscript
Research literary agents
Prepare a query package Usually includes:
Query agents
If an agent signs you
Best for: literary fiction, commercial fiction, memoir, many nonfiction books, authors who want industry support.
You become the publisher.
Typical steps:
Best for: niche nonfiction, genre fiction with dedicated readers, authors who want control over schedule, pricing, and rights.
A practical path:
If you tell me what kind of book it is (fiction/nonfiction, genre, and whether it’s finished), I can suggest the most realistic publishing path and next steps.
There is no single "best" way to get a book published, because the right path depends entirely on your goals, genre, budget, and patience . The industry splits into two main routes: Traditional Publishing and Self-Publishing.
Route 1: Traditional Publishing
Best for: Authors who want prestige, physical bookstore distribution, and a professional team paid for by the publisher.
Route 2: Self-Publishing (Indie Publishing)
Best for: Authors who want creative control, speed to market, and higher royalty percentages.
Perspectives from the Writing Community
To help narrow down the best approach, tell me:
The best way depends on your goals. There isn't one "best" path for every author.
If your goal is wide bookstore distribution, industry recognition, or an advance: pursue traditional publishing.
If your goal is speed, creative control, and higher royalties per sale: consider self-publishing.
For first-time authors, these steps give you the strongest chance regardless of the route:
If you tell me:
I can suggest the publishing path that's most likely to fit your goals and outline the next steps.
There is no single "best" way to get a book published, because the right path depends entirely on your goals, budget, genre, and how much control you want to keep.
The industry splits into two primary paths: Traditional Publishing (pitching to established publishing houses via agents) and Self-Publishing (acting as your own publisher).
Path 1: Traditional Publishing
Best for: Authors who want industry prestige, physical bookstore distribution, and zero upfront production costs, and who have the patience for a long timeline.
Path 2: Self-Publishing (Indie Publishing)
Best for: Authors who want creative control, a fast timeline to market, and significantly higher per-unit royalty rates.
“Self publishing pros include speed, creative control, higher royalties, and full ownership. The cons are that you invest upfront in editing, design, and marketing, and you bear full responsibility for the book's success.”
Which should you choose?
If you want your book on physical shelves at Barnes & Noble and don't mind waiting 1 to 3 years for the privilege, traditional publishing is the golden standard. If you write fast, want to keep 60%–70% of your royalties, and prefer seeing your book live in a matter of weeks, self-publishing is widely considered the faster and more lucrative route for many modern writers.
If you'd like to narrow this down, tell me:
I can help you outline a tailored strategy or pitching approach for your specific project.